About

Liina Sumera is an Estonian composer born in Tartu. At the age of seven she started studying piano at the Heino Eller Music School in Tartu, later on she also took on flute and pop- jazz singing. Sumera has always been interest- ed in composing, inventing her own melodies instead of practicing given piano pieces. She continued her studies at the Estonian Academy of Music and Theatre where she concentrated more on classical composition (with Helena Tulve, Margo Kõlar) and sound engineering (Siim Mäesalu). She has furthered her skills in electronic music composition (Alejandro Olarte), film (Päivi Takala) and video game music (Sandra Mahlamäki) at the Sibelius Academy, Finland.

Sumera has written music for chamber ensemble, symphony orchestra and electronics. She has experimented with many different musical genres from classical to electronic and contemporary composition and she has led a pop/rock band. In addition to concert music, Liina has composed for numerous film and theatre projects. She appreciates all the different musical experiences and says that there’s much to learn from each genre, it’s a good way to broaden your skills in composing and develop different ways of musical thinking. Sumera is also working as a sound engineer at the NUKU Theatre, Tallinn. She loves the creative environment and finds it very inspirational.

She won the Annual Estonian Theatre Award for best original score for theatre plays “Gulliver’s travels”(2018) and “The Shadow” (2018).

Her semi electronic piece “Conatus” for 16 speakers was one of the recommended works in the international rostrum of composers 2018 in the category “composers under 30”.

She won prize at Soundtrack Cologne 9.0 in 2012 for composition and sound design for Felix Könnert’s short animation “Apollo”. In 2014 she started working with NAFTA films on a film named “The Secret Society of Souptown” which became the most viewed family adventure movie in Estonia in 2015. In the same year her film music from was selected for the upcoming 12th Estonian Youth Song And Dance Celebration 2017 orchestra programme.

She has written music for plays in Estonian Youth Theatre: 20 000 Leagues Under the Sea (2013), Children of Captain Grant (2014), The Portrait of Dorian Gray (2015), Look, Madicken, It’s Snowing! (2015), The Birds (based on a Hitchcock’s film “The Birds” and Daphne du Maurier’s book wih the same name) (2017)

Estonian National Opera: Little Prince Hamlet (2014)

Films: Melchior the Apothecary (2022), Melchior the Apothecary: The Ghost, (2022), Melchior the Apothecary: The Executioner’s Daughter,  The Secret Society of Souptown (2015), etc.

Concert music

Conatus (Rostrum of composers, recommended composition 2018)

“Conatus” was selected one of the recommended works in “Rostrum of Composers 2018”, category composers under 30.

The Latin word conatus stands for impulse, struggling, striving, growing, effort and tension. Many famous philosophers such as Descartes, Hobbes, Spinoza and Leibniz have contributed to the definition of this term. It indicates an instinctive will to live and relates to various metaphysical theories of movement and inertia.
“Conatus” was commissioned by the festival Estonian Music Days 2018 and is written for a 16-speaker immersive sound system that was specially built in Tallinn’s St. Nicolas’ Church for this event. The main theme of the 2018 festival was “Sacred” and, aptly enough, Sumera’s piece “Conatus” also carries sacred undertones and has a meditative atmosphere about it.
Liina Sumera is combining acousmatic and electronic ele- ments in a way that neither forces them to compete with each other nor keeps them apart. Instead, they work in a symbiosis, morphing together, as it were, in a more organic manner.

La fontana malata (2023)

Commisioned by Estonian Music Days 2023. Written for two percussionists, electronics and wild female vocalist. Poem by Aldo Palazzeschi (1885-1974) “La fontana malata”.

This is a poem about a narrator who hears heartbreaking sounds from the garden coming from disfunctioning fountain. Sounds seem like someone is sick and coughing. The poem is filled with onomatopoeias – words that phonetically reproduce the sounds they evoke. In addition, he uses a fragmented syntax to imitate the faltering pace of the fountain.

The Sick Fountain is a parodic reflection on contemporary poetry. Since ancient times, inspiration and art were often connected to water metaphors. In Greek mythology, for example, on Mount Parnassus – home of the Muses – there was a spring that generated inspiration. According to Palazzeschi, in his days, art doesn’t flow anymore as it should. Poetry is not a majestic spring but a faulty fountain, painful to listen to.

Live recording: 30.04.2023, Arvo Pärt’s Centre
Vocal: Iris Oja
Percussions: Vambola Krigul, Lauri Metsvahi
Electronics: Tammo Sumera

Netrunners (2021)

Netrunners (2021, premiere) for six live electronic musicians.

The cybernetically enhanced human brain is incomparably more powerful than the old, static silicon-based calculation systems. With such biologically perfected systems, it is possible to enter the secret forts of the information network and control the Great Information, manipulate with the truth and even mess with the thoughts of other interfaced people. Netrunners are hackers or crackers, guards or thieves, rebels or revolutionaries, who have invested in their cybernetic development on a higher level. Netrunners can travel in the vast cyberspace of information as electronic ghosts. Unfortunately, all voyages may not succeed, as running around cyberspace may end up in a lethal physical burnout due to a dangerous attacking code or a virus.

Film and Animation

Melchior The Apothecary (2022)

A medieval crime thriller about a Tallinn pharmacist who has to uncover the secret behind a terrible wave of murders that threatens to wreck the entire Christian world.

The Overcoat (2018)

An animated adaptation of Nikolai Gogol’s classic short story about an office worker (Cillian Murphy) who saves all his money to buy a new coat in time for Christmas, only to have fate take a ghostly hand.

The Strawberry Eaters (2018)

The Secret Society of Souptown (2015)

Theatre

Robin Hood (2022)


Lyrics: Urmas Lennuk

Soloists: Liisi Koikson, Silja Miks

Choir: Robin Hoodi koor, Taavi Tõnisson, Liina Sumera

String Quartet: Marge Uus, Eva-Maria Sumera, Laur Eensalu, Brendan Tarm

Guitar: Eric Kammiste

ROBIN HOOD

This is a story about a man who accidentally becomes a hero. A man who decides to stand against injustice. A man who falls madly in love. A man who engages in a struggle for those he cares about. It’s an adventurous summer play with humor, horses, and stage combat. Someone gets wet, someone’s feet are set on fire. Someone escapes, and someone makes it home. Someone is kind, and someone is tough. There’s friendship, love. There’s jealousy, betrayal, and death. But there’s also touch and human caring. There’s silence and music. And to crown it all, an unwavering belief that every good deed makes the world a little better.

Premiere: 17. june 2022 Lammasmäe puhkekeskuses (Rakvere Theatre)

TEAM:

Dramaturgy: Urmas Lennuk

Director: Taavi Tõnisson (Eesti Noorsooteater)

Costumes and set decoration: Marion Undusk

Composer and sound design: Vootele Ruusmaa

Composer (songs): Liina Sumera

Coreography: Olga Privis (Vene Teater)

Stage combat: Laura Nõlvak (Eesti Noorsooteater)

Starring: Madis Mäeorg. Cast: Liisa Aibel, Rainer Elhi, Margus Grosnõi, Grete Jürgenson, Jaune Kimmel, Märten Matsu, Silja Miks, Anneli Rahkema, Peeter Raudsepp, Peeter Rästas, Tarvo Sõmer, Elar Vahter, Natali Väli, Velvo Väli ja Imre Õunapuu; külalisnäitlejad Indrek Apinis, Aimar Ehas, Reio Kiviberg, Mathias Einari Leedo, Riho Lillakas, Ander Lõns, Hendrik Vilde, Hans Kristian Õis; koolinoored Karina Reisi, Grete Alavere, Karmen Parijõgi, Rudolf Apinis, Ingomar Apinis, Indria Apinis and horses.

Ghosts (2019)

“Kodukäijad” (“Ghosts”), written specifically for Kellerteater by the masterful suspense writer Indrek Hargla, consists of two tales of ghosts, “Phosphorus” and “The Witch’s Daughter” – set in two different times and spaces. In 19th-century Germany and contemporary Estonia, love and hatred do not allow the dead to rest in peace, and on the stage of “Kellerteater,” horrifying events unfold, unlike anything seen before in Estonian theater.

Agnes Schenk and Kärt Rahel Ollisaar
Gotthard Michael Schenk and Martinson Riho Rosberg
Gorbowski and Ivo Andres Roosileht
Hans and chairman Andrus Eelmäe

author Indrek Hargla
director Vahur Keller
art Britt Urbla Keller
composer Liina Sumera
light Rene Topolev
coreography Kristina Paškevicius
makeup Evelin Sulg
stage manager Anna Liisa Erik
light and sound techincian Anselm Püvi
makeup Lore Sõerunurk
executive producer Jane Oksa

Premiere 17. november 2019 Kellerteater.

Gulliver’s Travels

The Birds

The Portrait of Dorian Gray
“Pleasures”

Look, Madicken, It’s Snowing!

Contact

Tallinn, Estonia

liinasumera@gmail.com
+372 56 486 356

2024 - Liina Sumera
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